Matthew Deleget

work


Matthew Deleget, Dead Before Death, 2012, Gold enamel spray paint over canvas and decorative wooden frame, triptych, 26 x 56 inches overall, 1 panel 26 x 22 inches, 2 panels 16 x 14 inches
Ceremony, Alejandra von Hartz Gallery
Matthew Deleget, Color Vulture, 2012, 3 off-the-shelf white canvases, red, yellow, and blue spotlights, 9 x 21 feet, canvases 24 x 20 inches each, Collection: University of Tennessee Chattanooga
Pictures at an Exhibition, Cress Gallery of Art, UTC
Matthew Deleget, It All Comes Down to Nothing (for Victor Gonzalez), 2011, Black, gray and white spray paint on canvases and wall, Dimensions variable; Installation realized by Roland Orépük; Installation view at Back to Basics, 1st International Festival of Non-Objective Art, Pont de Claix, France, 2011
It All Comes Down to Nothing (for Victor Gonzalez), 2011
Installation view of Color Climate: Matthew Deleget & David E. Peterson, Alejandra von Hartz Gallery, Miami, Florida, 2010
Shuffle Paintings (Fania All Stars), 2010
Matthew Deleget, Known and Unknown Knowns and Unknowns, 2010, Fluorescent yellow acrylic on six panels, three hit with a hammer, 20 inches high x 116.5 inches wide overall, each panel 20 x 16 inches
Known and Unknown Knowns and Unknowns, 2010
Matthew Deleget, Unknown Unknowns, 2010, archival inkjet print on paper, 25 x 25 cm, edition of 75, plus 8 artist proofs, published by IS Projects, Leiden, The Netherlands
Unknown Unknowns, 2010 - print edition
Matthew Deleget, They Don’t Love You Like I Love You, 2009, Silver monochromes, iridescent silver acrylic paint on 4 panels, hit with a hammer, 16 x 60 inches overall, each panel 16 x 12 inches, Installation view at McKenzie Fine Art, NY, 2010
They Don’t Love You, Like I Love You, 2009
Matthew Deleget, War Monochromes, 2010, Red, black, green, fluorescent orange, silver and yellow spray paint on canvases and wall, Dimensions variable; Installation view at The Engine Room, Massey University, Wellington, New Zealand, 2010
War Monochromes, 2007-present
War Monochromes (Blood & Treasure), 2009, Red and gold enamal spray paint on two canvases and wall, 20 x 16 inches each, Installation view in Monochrome Utopia, 532 Gallery Thomas Jaeckel, NY, 2009
War Monochromes (Blood & Treasure), 2009
Matthew Deleget, Shuffle Painting: Weird Fishes, 2008, Acrylic, fluorescent acrylic on panel, 20 x 20 inches, Installation view at ie. Contemporary Art Projects, Toowoomba, Australia, 2008
Shuffle Paintings, 2006-2008
All Stars, 2009, Acrylic, fluorescent and metallic acrylic on handmade paper, collaged elements, 20 x 20 inches, Collection Newmark Knight Frank, NY
All Stars, 2008 - commission
Matthew Deleget, No Man's Land, 2008, Cadmium red light acrylic paint on panel hit with a hammer, 18 x 24 inches
No Man’s Land, 2008
Overlord (American Dream), 2008, Archival digital print 25 x 25 cm, Edition of 49, Included in UND Jetzt IS Box, Published by IS Projects, Leiden, The Netherlands
Overlord (American Dream), 2008 - print edition
Matthew Deleget, Dissuasive Fire, 2008, Fluorescent orange acrylic paint on panel with hammer, 16 x 16 inches each, diptych, Private collection
Dissuasive Fire, 2008
On the Back of a Hurricane (for Rudolf de Crignis), 2008, Blue monochrome, blue plastic shopping bag mounted on panel, 12 x 12 inches
On the Back of a Hurricane (for Rudolf de Crignis), 2008
Matthew Deleget, Ghost Painting, 2007, Fluorescent and metallic spray paint on paper, 10 x 15 inches
Ghost Paintings, 2007
Matthew Deleget, Monochrome (Asymmetric Warfare), 2007, Monochrome painting, black spray paint on canvas and wall, approximately 36 x 24 inches
Monochrome (Asymmetric Warfare), 2007
Matthew Deleget, From Bad to Worse to Truly Terrible, 2007, Black monochrome paintings, gloss black latex paint over flat black latex paint on canvas, Dimensions variable, 8, 12, and 16 inches in diameter
From Bad to Worse to Truly Terrible, 2007
Matthew Deleget, Monochrome (Sleeper Cells), 2007, Monochrome paintings, white latex paint on mirrored paper, 40 x 32 inches each; Installation view in Notations: The Cage Effect Today, Hunter College Times Square Gallery, New York, NY, 2012 (right: Linda Stillman)
Monochrome (Sleeper Cells), 2007
Matthew Deleget, War Monochrome (Sleeper Cell), 2007, White monochrome painting, white spray paint on canvas and wall, 16 x 20 inches
War Monochrome (Sleeper Cell), 2007
Pink Nightmare, 2007, Pink monochrome painting (acrylic on panel), hit with a hammer, 18 x 24 inches
Pink Nightmare, 2007
No If's, No But's, No Maybe's, 2007, Three monochrome paintings (acrylic on panel), hit with a hammer, 24 x 68 inches overall (24 x 18 inches each), Private collection
No If’s, No But’s, No Maybe’s, 2007
Matthew Deleget, Overlord (American Dream), 2007, Black monochrome (black plastic garbage bag), 36 x 33 inches, 2007, Edition of 20
Overlord (American Dream), 2007-present
Matthew Deleget, White Supremacist Composition, 2007, White monochrome, framed sheet of white foam stickers with Christian symbols including crucifixes, Jesus fish, angels, hearts (readymade, purchased at Christian novelty store in Texas), 16 x 14 inches framed
White Supremacist Composition, 2007
Matthew Deleget, I Love You, 2007, Used plastic shopping bags in 9 colors mounted on 9 panels, dimensions variable, 2007
I Love You, 2007
T-shirts worn during Heart on Fire performance
Heart on Fire, 2006
End of Empire, 2006, Acrylic on paper, 50 sheets, 5 feet x 13.25 feet, 2006
End of Empire, 2006
Sugar Walls, 2006, Acrylic on canvas, 48 x 64 inches, Private collection
Gallery Sonja Roesch Exhibition, 2006
Matthew Deleget, Red, Red, Red, Redder than Red, 2006, Acrylic on paper, 32 sheets to be installed in any order, 4 feet x 8 feet, Private collection
Red, Red, Red, Redder than Red, 2006
Matthew Deleget, Case Study - Two Faced, 2006, Acrylic on masonite panel, diptych, 16 x 16 inches each, Private collection
Case Study - Two Faced, 2006
Case Study - Devil, Case Study - Outsider, (left to right)
Hunter College Exhibition, 2006
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